BEYOND ZERO: 1914-1918
This seminar will focus on Bill Morrison's film, Beyond Zero: 1914-1918. Sourced from original 35mm nitrate footage shot during the first World War, the work pieces together a unique visual exploration from footage that has never been viewed by modern audiences, and will never be seen again outside of this film. Serbian composer Aleksandra Vrebalov created the score, commissioned and performed by the Kronos Quartet.
Bill Morrison‘s films are instantly recognizable for their meticulous combination of rare archival material and commissioned contemporary music. With his detailed meditations on impermanence, visuality, sound, and often on film itself, he is producing one of the most distinctively coherent bodies of work in contemporary American cinema.
Among his most notable works, Decasia (67 min, 2002), a collaboration with the composer Michael Gordon, was added to the US Library of Congress’ 2013 National Film Registry; Spark of Being (68 min, 2010), a collaboration with trumpeter/composer Dave Douglas, won the Los Angeles Film Critics Award for Best Independent Film of 2011; The Miners’ Hymns (52 min, 2011), a collaboration with Icelandic composer Jóhann Jóhannsson, was described as one of “the best and most beautiful films of the year” by the Huffington Post; The Great Flood (78 min, 2013), a collaboration with guitarist/composer Bill Frisell, won the Smithsonian Ingenuity Award of 2014 for historical scholarship; and the recently-released Dawson City: Frozen Time was described as "an instantaneously recognizable masterpiece" in The New York Times.
Recently honored with a mid-career retrospective at MoMA, Bill is a Guggenheim fellow who has received the Alpert Award for the Arts, an NEA Creativity Grant, a Creative Capital Grant, and a fellowship from the Foundation for Contemporary Arts. His theatrical projection design has been recognized with two Bessie awards and an Obie.